Is it sacrilege to declare that the best-looking cinématographe au-dessus in Paris was shot by a deux of Italians? Bernardo Bertolucci and his cinematographer Vittorio Storaro bathe the French fonds – as well as the neoclassical edifices of Mussolini’s Rome – in calme blues and shards of light as sharp https://edgarsldbs.blogripley.com/33383849/5-techniques-simples-de-monétisation